WHITE S FUNERAL HOME. uplifting songs for funerals. sample funeral invitation.
White S Funeral Home
- a mortuary where those who knew the deceased can come to pay their last respects
- A funeral home, funeral parlor or mortuary, is a business that provides burial and funeral services for the deceased and their families. These services may include a prepared wake and funeral, and the provision of a chapel for the funeral.
- An establishment where the dead are prepared for burial or cremation
- (Funeral Homes) A matchcover category whose advertisement mentions funeral parlors, funeral homes, casket makers, or funeral accouterments.
funeral home
- $1 gaming chips. Some casinos may use light blue or gray chips for the $1 denomination, but for many years they were white and are still referred to as such.
white s
white s funeral home – My King
Late 1920's Ambulance E. Carl White Funeral Home – Des Moines, Iowa
White's Funeral Home
404 E Foothill Blvd.
Azusa, CA
(626) 334-2921
white s funeral home
In music terms, Brooklyn’s Christopher “Biggie Smalls” Wallace was a hip-hop superstar to rival Oakland’s Tupac Shakur. In movie terms, however, 2Pac has long overshadowed B.I.G. with the films he made as an actor and the documentaries that followed in the wake of his similarly-unsolved murder. George Tillman Jr. (Soul Food, Men of Honor) aims to correct that imbalance with Notorious, the authorized biography of the larger-than-life New York rapper. Produced by his mother, Voletta Wallace (played by Angela Bassett), and record producer Sean “Puffy” Combs (Derek Luke), Tillman presents Biggie as a bright child who grew up to be a drug dealer before finding his true calling on stage, only to be cut down in the prime of life. In his feature-film debut, Jamal “Gravy” Woolard captures Biggie’s complexity–the loyalty to his crew, the disloyalty to his ladies (including Lil’ Kim and Faith Evans)–but struggles to make him as sympathetic as the figure that emerges in Nick Broomfield’s Biggie & Tupac, simply because the script relies too heavily on the usual musical-bio clichés. Fortunately, several bright spots elevate the scenario, such as Anthony Mackie as Pac, Christopher Wallace Jr. as young Biggie, and Woolard’s rapping, which segues seamlessly into B.I.G.’s (the soundtrack mixes original tracks with remakes). If Notorious isn’t a failure, it isn’t a triumph either, but Tillman has crafted it with love and respect, and only a stone could remain unmoved by the real-life funeral footage at the end. –Kathleen C. Fennessy
Stills from Notorious (Click for larger image)